Johnny Winter, Edgar Winter, Rick Derringer, Kim Simmonds, The Palm Theater, Las Vegas, NV August 5, 2012
I am usually very hesitant about seeing any of my heros after they have passed their hey-day - I refused to see the Who after Moon died, I didn't care to see the Dolls after Thunders passed, etc. I got free tickets to see the Rolling Stones in 2002 and went, even against my better judgement, and was sorely disappointed. But, I did see Neil Young & Crazy Horse in 2003-ish and it was amazing, so you never know. I've been listening to a lot of Johnny Winter since I've gotten on my blues kick and, by extension, Edgar, so when I saw that they were touring together - along with Derringer, who is another talented player who worked with both of the brothers, and Kim Simmonds (from Savoy Brown), who I have also just started listening to, I figured I'd take the chance.
The night began with Simmonds, obviously the lesser-known member of this entourage here in the States. But he definitely had his fans in the audience, cheering and singing along with the Savoy Brown tunes. He had a great guitar tone, was still in good voice and was highly entertaining.
Leslie West was supposed to follow but cancelled due to illness. Hope he's ok - hard to tell with these cats who are getting up in the years and Leslie was never the picture of health. But, Derringer came on and rocked the place immediately with "Still Alive and Well" which he wrote for Johnny Winter but has become a staple of his own set. Rick proved to be born-again as he changed some of the words to things like "Jesus is still alive and well". Pretty funny but not overly preachy. He threw in a couple of new songs, including one about being an American which he says Hillary, Obama and even Newt Gingrinch have used! I didn't recognize it, myself. A spot-on "Hang On Sloopy" was included and he closed with, of course, "Rock'n'Roll, Hootchie Koo", during which he really let go on the guitar for the first time during the set, showing that he has not lost his licks!
After a short intermission the first Winter brother, Edgar, appeared on stage, ably back by the band who had been working with everyone that night and who were all high-caliber players. He opened with a couple of numbers that I was unfamiliar with, but that were good blues/soul-rockers (not any of the fusion failures that he has attempted in the past). He did a terrific "Tobacco Road", with his trademarked vocal/guitar sparring (and without the extra long jam from his live album), a great job of "Frankenstein" (playing sax, keyboards and drums), some White Trash-era soul jam and closed with Derringer joining him for "Free Ride". Edgar was in fine shape throughout - he looked great at 66, his voice was in good form (though missing some of the highs) and he played every instrument just as well as ever, all while being a showman. Pretty damn amazing!
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