Howlin’ Wolf – The Back Door Wolf
In 1973, Howlin’ Wolf had been with Chess Records for nearly
20 years, and when he entered the recording studio for the last time before
succumbing to cancer, he was definitely looking backwards as much as forwards.
Despite Leonard Chess’ ill-advised idea of adding harpsichord to some tunes (in
an effort to “update” the sound and reach more of the younger, white audience),
this collection is classic Wolf. Taking musical and lyrical ideas from his own
past songs (“How Many More Years” & “Smokestack Lighting” riffs appear, as
do lyrics from a number of his own tunes, as well as his hero Charley Patton),
Chester Burnett creates a solid piece of blues here.
Of course, the sound and quality is helped immeasurable by
his (except for a short stint with Muddy Waters) loyal cohort Hubert Sumlin,
the master of the blues guitar, whose playing is impeccable throughout. The rest of the group consisted of Detroit Jr.
on keys, James Green or Andrew McMahon on bass and drummer S.P. Leary. Newer
tunes include “Coon on the Moon”, an ode to many African-American innovators,
and the topical “Watergate Blues”. The sole bonus CD track is an alternative
version of “Speak Now Woman” without the harpsichord and with a sensual,
stompin’ beat reminiscent of his “Evil”.
While not his best by any means, this is an excellent release
by the primal force of nature that is the Wolf. Considering that his illness
would take him in just over two years after he left this session, the
power of his presence, his voice and his harp playing is nothing short of
remarkable. Well worth it!
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