The Love Me Nots - The Demon and the Devotee
Since I first discovered the Love Me Nots back in 2007 after
being blown away by seeing them live and picking up their debut disc, they are
apparently up to disc number 4 and I somehow have not gotten any between their
initial blast and this, their latest. I will have to rectify that!
The Demon and the Devotee is a bit slicker and more modern
than In Black and White, but still retaining their organ-driven garage roots.
Nicole continues to be sultry and snarly and guitarist Michael Johnny Walker
has only gotten better with his fuzz licks. Monster drummer Jay Lien left for a
while but is back with a vengeance and while this disc has Kyle Stokes on bass,
she has already been replaced by Sophie O. So, obviously, the mainstays here are husband
and wife couple Nicole & Michael.
Openers “The End of the Line” & “I’m Gonna Be Your Girl”
are as garage as they come, with the latter even reminding me a little of LA’s
fabulous Untold Fables (with female vocals, of course). “Demons”, though, takes
on a whole different style, sounding much more 80’s new-wave than garage, with
the keys taking on an almost synth quality (though I’m certain it is Nicole’s Farfisa). This still has 60’s elements, of course, and is a
rockin’ tune, just an unusual production for this group.
Continuing (sorta/kinda) in this vein is “She’s Nothing Like
Me”, an almost dreamy ballad, at least in comparison to the rest of the
set. But, the guitars come back with a vengeance in the sassy and vicious “I’m Not Okay”, that moves into “Cheap Knockoff”, sounding like an odd mix
of the Doors and Gary Newman! It does somehow work, but is a bit bizarre. “Make
Up Your Mind” backs up right back into the garage, though – groovin’, drivin’
keys, cool, trashy (in the best sense of the word) guitar lines and catchy
chorus – very hip!
This is followed by a stompin’ “He Doesn’t Share Well”,
which stands up to the group’s best. “Trouble” is a psychedelic ballad with a trumpet (!!) solo that gives it a weird Mariachi feel for a minute and “Stay” combines a bit of a ska beat in the verses with a super-strong,
shout-along chorus and a biting guitar solo. “Let’s Get Wrecked” is a great
theme and moves along at a steady pace, but doesn’t quite have the abandon that
some of their tunes do. The closer is “The Girl Lights Up”, a folky
pop number led by a neat 12-string (or reasonable facsimile) guitar lick.
The Love Me Nots are unmistakenly attempting to expand their
sound and work in different styles, for which they should be applauded – no band
should stagnate. Everything works on this record, but the changes do mean that
The Demon and the Devotee is not as explosive as their debut. But, still a
solid effort and I will look into their other releases and see what they have
been exploring over the years. And, regardless, they are still a phenomenal
live experience!
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