Friday, January 17, 2025

Taj Mahal - Original Album Classics

 


After reading the book on Jesse Ed Davis, I wanted to discover more of Mahal's music so I grabbed this 3 CD set for a reasonable price. Of course, I have heard some of his music, but this seemed like a good overview. Oddly, this set collects the first two studio albums then jumps 6 years to a 1974 release - no idea why, but it's a shame as he made several records in between (he has an impressive discography) and there was much better music to include.

I first became aware of Taj due to the Rolling Stones Rock'n'Roll Circus and so I expected his music to all be in a similar R'n'B/Blues-y vein. But his records are a much more mixed bag, so much so that I wasn't sure how to react to it all at first. Certainly some R'n'B influences - though not much as dominant as "Ain't That a Lot of Love" - but mixed with pop and the blues wasn't necessary the electric blues of the later British bands, but early country blues combined with folk and whatever else popped into Taj's mind. Certainly not a purist in any contemporary sense!

Disc 1 is the self-titled debut album and is fairly blues oriented, but with Taj's (and the band's, of course) own twists to it. They are not trying to slavishly recreate older music but are content with branding it with their our style. Opening with "Leaving Trunk", a funky, blues with excellent playing all around and with the band giving a great groove. They follow that with their take on "Statesboro Blues", which highlights Jesse Ed Davis' slide work and which caused the Allman Brothers and Duane to cover it and influenced Duane to pick up his Coricidin bottle, which in turn influenced countless guitarists to pick up some kind of slide. "Checking Up On My Baby" is a rockin' blues that shows off Jesse's piano playing as well as his lead guitar, and side one of the album closed with another in the same upbeat vein, "Everybody's Got To Change Sometime" - again with great playing all around, fine vocalizing from Taj and nice slide work.

Side two of the vinyl kicks off with "EZ Rider", with an arrangement by Taj, who blows some mean harp here, and he and Jesse trade off riffs for Robert Johnson's "Dust My Broom", "Diving Duck Blues" is a hip mid-tempo blues arrangement of various tunes, it seems, with more fine slide work, and the album finished off with a slow, drivin' blues with Ry Cooder on mandolin and Taj on acoustic slide, showing that he was a terrific player himself (I have another album that has a number of songs with just Taj and his guitar and it's all pretty amazing). All in all, a pretty fab debut record!

Disc two is dedicated to the album, The Natch'l Blues, opening with "Good Morning Miss Brown", a bit of a poppier blues with Al Kooper on piano, followed by "Corinna", the trad song given a cool arrangement by Taj & Jesse, "I Ain't Gonna Let Nobody Steal My Jellyroll" is an upbeat boogie blues, the funnily titled "Going Up the Country, Paint My Mailbox Blue" is a mid-tempo groover and side one's closer, "Done Changed My Way of Living", is a 7+ minute long, Howlin' Wolf-styled blues with some stylin' playing - think this is Taj here, rather than Jesse, although I'm sure he gets his licks in there somewhere!

Flip over the vinyl and there's another interesting title, "She Caught the Katy and Left Me a Mule To Ride", which, funnily, sounds to me like a blues filtered through the likes of Leon Russell via Bob Dylan - or something like that! "The Cuckoo", as with a number of Taj's tunes, seems to incorporate a number of older blues, and has another hip groove to it, then the band gets truly soulful in "You Don't Miss Your Water" and this album closed with the R'n'B stomper, "Ain't That a Lot of Love" and while I'm so used to the incredible R'n'R Circus version that this horn-drenched take is a bit of a surprise, but it's also great in its own way.

Surprisingly, as most of the CDs in these packaged sets are only the original vinyl albums, this CD includes bonus tracks, with another take on "The Cuckoo" (pretty great, actually), as well as "New Stranger Blues", a slow, moody number with soulful playing by all, especially Jesse on guitar, and finally, "Things Are Gonna Work Out Fine", which doesn't appear to be any of the similarly titles tunes I know of, but a rollickin' instrumental, which gives everyone a chance to show off - a nice ending!

Disc 3 Mo’ Roots, though, is essentially unlistenable as it is simply AOR-oriented terrible reggae - really nothing redeeming about the whole album. I feel bad being this harsh but especially after the quality of the first two albums, this is exceedingly bad.

Considering that this is a discounted set, it is worth it for the first two CD's but you can slip the last one and search for some of Taj's other work like Giant Step, which I wish had been included here instead.

Thursday, January 16, 2025

Mott the Hoople - Two Miles From Live Heaven (updated)



I'm trying something new here - revisiting an old review - this one from 16 years ago! - since I just listened to this set again and I wondered what I had to say about it.

At the time, I think I was so happy to see any new MTH releases that I would have recommended almost anything and while I still think that this is worthwhile, I'm not sure that I would say it was "highly" recommended.

Again, I'm much more of a Mick Ralphs fan than an Ariel Bender/Luther Grosvenor fan, but each have their moments here. 

CD 1 is a bit of a mish-mash with tracks 1-5 being the original band running through "No Wheels to Ride", "Whiskey Women", "Walkin' With a Mountain", "It'll Be Me" (the 50's tune, learned from Jerry Lee Lewis) and "Angel of Fifth Avenue". Pretty great sound and playing throughout these numbers, although Ian berates the audience for not getting "heavy" enough, although he eventually relents. Then the Ariel/ Morgan Fisher lineup does a pretty great job of "Drivin' Sister", "All the Young Dudes", "All the Way From Memphis" and Sweet Angeline". I was truly impressed by these renditions, as I hadn't cared for Ariel's tone of his playing on some other recordings, but these are top-notch! The CD closes wih a few demos from the original band - not outstanding, but fun for fans to hear.

CD 2 though is a bit of a mess, unfortunately. The mix is pretty atrocious, Ariel is far too loud and his tone is fairly awful and Ian's voice is completely shot, to the point of breaking pretty regularly throughout the entire set. While most of the song selection is pretty stellar, there are a few clunkers - mostly Ian's ballads like "Rest in Peace" and "Hymn For the Dudes" - and the performances just don't flow. I think by this time they were realizing that Luther didn't really fit in the band and that combined with Ian's voice and the mix, means this is not a CD that you will listen to repeatedly.

In any case, it's still great that there has been so many MTH CD releases and I'll take - and buy! - whatever comes out. This is one strictly for fans, though!

Here's my original review from 2998: 


I’ve been a huge Mott fan since they first hit with “All the Young Dudes” and the fantastic album of that same title. When I discovered their earlier works, while Hunter led them through some Dylan-esque folky territory, I found out that they were also one of the heaviest and noisiest bands around! Brain Capers and Mad Shadows in particular have some incredible moments.

So, I have been grateful for the previously unreleased material that has been uncovered in the CD generation. There have been a number of eye-opening live recordings of very good quality popping up lately and this is another great one! I never got the chance to see them – which I will eternally regret – but by all accounts they were a boggling live act.

This release covers a number of years and tours and is accompanied by a terrific booklet with plenty of info and some fantastic photos that I had never seen before. These cats had a wild r’n’r image and some phenomenal clothes!

This 2 CD set concentrates on live shows with Ariel Bender/Luther Grosvenor, Mick Ralphs replacement, but while I far prefer the studio albums with Ralphs, these live cuts are all quite strong.

There are songs covering their entire career here, and some previously unreleased tunes, all of which are terrific! Not the place to start for novices to the band, but for fans, this is highly recommended!

RIP David Lynch



David Lynch, director of ‘Twin Peaks’ and ‘Mulholland Drive’, dead at 78 
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recommended gigs

           

Friday 1-17-25 - the Crotches at the Dive Bar

Friday 1-17-25 - the New Waves at the Golden Tiki

Saturday 1-18-25 - the Implosions, the Luxuries, the Hideaway at Red Dwarf

Saturday 1-18-25 - Thee Swank Bastards and Stagnetti's Cock at the Double Down

Saturday 1-18-25 - Thee Swank Bastards late night at the Golden Tiki

Sunday 1-19-25 - Save Kitty Chow's Home Fundraising Variety Show at Cornish Pasty

Monday 1-20-25 - Thee Swank Bastards at the Golden Tiki

Saturday 1-25-25 - Thee Swank Bastards late night at the Golden Tiki

Monday 1-27-25 - Thee Swank Bastards at the Golden Tiki

Friday 2-7-25 - the Implosions, Tippy Elvis, Triple Splits at Red Dwarf

Saturday 2-8-25 - Bear Supply at the Double Down

Friday 2-14-25 - the Minges, Crimson Riot, VaVoom at the Double Down

Saturday 2-15-25 - TV Party Tonight 10th Anniversary

Sat 2-22-25 - the Silhouettes at Red Dwarf

Man Enough to be a Woman - Jayne County

 


Of course, I've been familiar with Wayne/Jayne since the 70's due to their inclusion in any rock zine that covered the NY scene. County's outrageousness far outstripped any'n'everyone else, including gender-benders like Bowie, Jobriath, Reed and anyone else that you can think of. Being on the outskirts of "normal" society their entire life, including growing up in a small, southern town, means that County has wild tales to tale and is, frankly, lucky to still be alive!

Considering the hell that I received as an outcast in a northern Indiana town in the 60's and 70's just by having slightly long hair and being a pacifist, it is fairly incredible that Wayne (at the time) was able to dress up like a female and was fairly openly gay and only received mild harassment. Apparently, it helped that there were a couple gays that were even more flamboyant as well as the fact that some of the jocks came on to Wayne.

The British Invasion gave a soundtrack to Wayne's life - a fanaticism that never faded (they have pretty great taste) - and that alone was enough to be an outcast in the 60's in the South, but combined with their outrageousness, again, I am amazed. After getting a job in nearby Atlanta, County discovers drag queens and life is once again changed.

There are innumerable stories as she becomes part of the gay scene in town, but things change, as they do, and she decided she wanted to go to San Francisco and decided the easiest and cheapest way was to go to NYC and look for a ride, but once she got to town, she realized that she liked it and fairly quickly became part of the underground there. Of course, it helped that she met Leee Black Childers early on and he introduced her to everyone and soon she and Leee were sharing a room with Holly Woodlawn and Jackie Curtis, among others!

The Theater of the Ridiculous was certainly influential - David Bowie especially took plenty of ideas from this - but I've got to say that it all sounds a bit too ridiculous for me, personally. But, that is what got Wayne their initial recognition in town, which, of course, morphed into their musical career. Wayne even became part of the Main Man stable for a while, but while MM coughed up money, apartments and shows, no recording was ever done. Not sure why, as the material was so overly extreme that it never could have crossed over to any kind of mainstream, even to the level that Bowie's glam stuff did. County was sure that Bowie was jealous but I don't think that there was any kind of competition there.

Eventually, County got a band in England, started recording and touring and making more "serious" music. Oddly, they mention songs about religion and how they still respected their extremely conservative church they grew up in and basically says they do not believe in evolution! Wild! Lots of stories of playing, touring, recording, traveling, picking up boys and more (even working into a transsexual whorehouse!), as well as talking frankly about the fact that they never did the full operation, even though that was definitely reported in some papers. Plenty of psychotic relationships and jealousies and breakdowns - possible at least partially due to hormones.

County eventually settles down to an extent - at least offstage - and seems to have come to peace with themselves, even if they didn't achieve everything they had hoped to (again, very relatable!). 

A rollickin' read and a first hand account of the gay/transsexual scenes in the 60's and 70's from around the world! 

Saturday, January 11, 2025

The Savage Tales of Solomon Kane - Robert E Howard

 


As I've said, I was a fan of REH's Conan since Marvel set him in their comics, and with the success of that run, Marvel extended their REH works to include this Puritan hero, Solomon Kane. Despite his lack of joie de vivre and lusty exuberance that Conan exhibited, Kane's somber outlook, all black attire and somewhat unstable fixation with righting wrongs (to the point of obsession and, while he denied it, a thrill of fighting'n'killing), all registered as a bit more human than the more famous barbarian.

This compilation of various tales and a few fragments of stories, varies in quality. I do not know the chronology of Howard's writings, but some of these are not nearly as fleshed out as some of his other work. There are also unfortunate bigotries of the time which must be overlooked if one is to enjoy the tales, even if some are a bit cringe-worthy. 

Despite these issues, this book is still quite enjoyable, as Kane literally travels the world on the trail of evil-doers, often encountering "savages" in the jungles of Africa along with many other exotic locales. He overcomes outlandish odds, but in a fairly (comparatively) realistic way and while he may be caught up in blood lust himself, he does always try to avenge those who are wronged by evil.

I quite enjoy these tales as ways of escaping the insane "real" world for a while, but, again, the prejudices of the time may turn off some folks.

Tuesday, January 07, 2025

RIP Peter Yarrow

Peter Yarrow of Peter, Paul and Mary dies at age 86 
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Can't deny that I was a folkie in the 60's and I learned how to play guitar to songs from the likes of PP&M. 

Sorry to hear of his passing.

Thursday, January 02, 2025

recommended gigs

              

Friday 1-10-25 - Femaliens, Wheelchair Mosh Pit, Atrocity Girl at Red Dwarf

Sat - 1-11-25 - Deadbolt, Mondo Vermin and the New Waves at the Dive Bar

Saturday 1-11-25 - the Souvenairs at the Underground

Saturday 1-11-25 - Thee Swank Bastards late night at the Golden Tiki

Sunday - 1-12-25 - Thee Swak Bastards at Red Dwarf's Sunday Brunch

Monday 1-13-25 -Thee Swank Bastards  at the Golden Tiki

Friday 1-17-25 - the Crotches at the Dive Bar

Friday 1-17-25 - the New Waves at the Golden Tiki

Saturday 1-18-25 - Thee Swank Bastards and Stagnetti's Cock at the Double Down

Saturday 1-18-25 - Thee Swank Bastards late night at the Golden Tiki

Sunday 1-19-25 - Save Kitty Chow's Home Fundraising Variety Show at Cornish Pasty

Monday 1-20-25 - Thee Swank Bastards at the Golden Tiki

Saturday 1-25-25 - Thee Swank Bastards late night at the Golden Tiki

Monday 1-27-25 - Thee Swank Bastards at the Golden Tiki

Friday 2-7-25 - the Implosions, Tippy Elvis, Triple Splits at Red Dwarf

Saturday 2-8-25 - Bear Supply at the Double Down

Sat 2-22-25 - the Silhouettes at Red Dwarf