Waiting on the Moon - Peter Wolf
Our library picked up this one, so I grabbed it even though I already have two large tomes checked out so let's see how far I can get with three books simultaneously and see if I can keep the stories straight!
Of course, I have been a fan of the band that Peter fronted, the J. Geils Band, since their stompin' hit "Lookin' For a Love" and dug pretty much their entire 70's output and still consider them to be one of the best live bands of all time - which had a lot to do with Wolf's onstage antics and amazing monologues. I've just discovered that Peter has more than one book out and this was the first that I've found and certainly want to hear his reminiscences of his time in the band. (Actually, the other book seems to just be made to look like it’s Peter’s, but I’m still interested in finding it if I can.)
Peter moves through his basic background and young childhood pretty quickly, which is nice, as that can be fairly dull for almost anyone (although he has a couple of fun'n'funny anecdotes). He spends a bit of time with his first love, who sounds pretty darn hip and was lovely, and was obviously a big influence on him. She went to college, he moved to Boston, but they ended up living together as he formed the J. Geils Band and they both worked various jobs to keep some money coming in. Peter was on tour when he found out that Edie, who he obviously truly loved, had been killed in a car accident.
I realized that he moved through time quickly in that case in order to tell the entire tale of his ill-fated love before moving on to other subjects. He goes back in time to his teenage years in NYC and discovering'n'meeting Bob Dylan. He then moves to his college years where he temporarily roomed with David Lynch! He has tales of seeing Muddy Waters and hanging out with his band, with Otis Span playing in Wolf's apartment and James Cotton giving him harmonica tips! Wow! Truly mind-boggling! And both Muddy Waters and Howlin' Wolf staying at his apartment! Yowza!
Naturally, there are plenty of other characters, as well, and lots that he met well before the genesis of the J. Geils Band! He has led a life! His chapters are mostly devoted to his time with one person or another - say, a chapter about meeting John Lee Hooker that continues with his interactions throughout his life, and the same with Van Morrison, or with various other musicians, academics, and others.
Wolf is a great storyteller - to be expected as he was such a verbose frontman (coming from his time spent as a DJ, I assume) - and is very personable and likeable here as he talks about his wild adventures. Funnily enough, the band is only mentioned in asides - at least so far, and I'm halfway through the book - and he doesn't give any info whatsoever about meeting the guys or forming the band and only offhand mentions of a couple of gigs, mostly to set the scene for something that he was involved in with other people. He doesn't even mention any band member by name! I wonder if he just wants to show that he has a personality apart from the band? The book does keep your interest even without the band gossip, but since I am a huge fan, it's a little disappointing. But then, towards the end of the book, he finally does get around to talking about the formation of the group and even names everyone! But it is a quick summation and although he was the one who arranged their two recording contracts, initially managed the band, helped set up their support system, cowrote the songs and more, he was asked to leave the group at the height of their career. I hated what they were doing in the 80’s so I wasn't paying attention then, but apparently, Wolf wanted to return to their roots and the band wanted to continue in their ill-advised ways. Wolf made his first solo album, which was successful while the band's post-Wolf album tanked.
I’m sure that Wolf exaggerates how poor the band was before their 80’s hits because they had several Top Forty hits before then and they were selling out (at least) several thousand seat venues. Even considering a bad recording contract, between the records and the gigs they had to be ok - not rich but certainly not poor, either.
Even without details about the JGB, the man has stories to tell and has met incredible characters and can really set a scene for the tales. This is a great read - highly recommended! (Still want a tome of the band though!)