The Velvet Underground (third album)
As I'm revisiting my VU recordings while I'm reading an extensive book on the band, it looks like I never talked about this one, oddly enough - unless the search function just isn't working! My faves are the brutal blasts on the first two albums (which showed their softer sides, as well, particularly the debut) but this album, while is certainly their quietest, also has some of their most enduring songs.
Of course, there are a couple of different theories as to why they changed their sound (even within band members) but I think (just based on being a musician) that Lou simply was writing more quiet songs that he liked - not like he hadn't written similar numbers before!
This opens with an ode to Warhol Superstar Candy Darling, simply titled "Candy Says", sung by newcomer Doug Yule - supposedly Lou's voice was tired from touring. This slight ballad is pretty melodically, but not something that really grabs your attention immediately - at least not for me. On the other hand, "What Goes On" is truly one of their best, an insistently chuggin' rocker with a great, melodic, multi-tracked guitar solo, catchy melody and existential lyrics. Another fave is "Some Kinda Love", driven by Maureen's bass drum'n'cowbell, it dictates a conversation where the two may disagree but basically agree that "no kinds of love are better than others". A simple progression - as Lou is wont to do - but incredibly memorable with terrific lyrics that are immensely quotable. The lovely ballad - as close to a true love song as Lou probably ever did, written for a former girlfriend who had since married, although they had a fling - "Pale Blue Eyes" is another, oft-covered classic. Probably the quietest of the quiet numbers, "Jesus" is an unusual subject for Jewish Lou but is apparently just referring to another type of love and is another lovely melody.
I think it might be a stretch to say that "Beginning to See the Light" is also about religion, but it is another good, mid-tempo rocker with sing-along refrains. "I'm Set Free" is kind of a Phil Spector-ish bit of pop, although not one of the best of the bunch here, nor is "That's the Story of my Life" - again not as memorable as some of the others. The true oddity of the bunch is "The Murder Mystery", with its kinda spooky backing and two (at least) simultaneous narratives going on, in different speeds, with melodic interjections from Maureen and Yule - kind of another experiment like "The Gift", but more jumbled and much less coherent, making it a difficult listen - I think it would actually be quite listenable without the vocals! Then the finale is one of the goofiest numbers they ever recorded, the vaudevillian "After Hours" with Maureen singing - I know this has become a fave with some people, but I always considered it a throwaway.
So, some of their most memorable and most forgettable tunes together in one LP. Flawed, for sure, but obviously worth owning!



































