The Streetwalkin Cheetahs at Red Dwarf, Saturday 10-10-26

 

We've been friends with the SWC's since before we were together - so, like, forever - and, of course, if they ever make the trek out to Vegas, we make it a point to see them.

This band is on a SW tour and the Strains had been joining them but then one of the members was hospitalized and so the group couldn't continue. That meant that for this evening the Cheetahs had the night to themselves. So they decided to do two sets - they have far more than enough material - and for the second set they brought in original second guitarist, Art Jackson, who left the band when he moved to Vegas a number of year ago. 

But for the first set the band consisted of singer/guitarist Frank Meyer, bassist Dino Everett, drummer Mike Sessa and relatively-new-to-the-Cheetahs, but an OG-LA stalwart, the super talented Bruce Duff. Bruce has been in more bands than you can count but is probably most known for his time in 45 Grave and the Jeff Dahl Band, but has multiple projects to this day. Frank has played with countless bands, from Fear to Handsome Dick Manitoba's band, while Dino was a member of the Excessories for a while and Mike is another LA veteran. 

Opening with the fast'n'furious "Future Lost" from their Waiting for the Death of My Generation album, they ran through a high energy set of old and new, along with covers like the MC5's "Looking at You". Highlights included their new-wavey "Automatic", "No More", "Shawna", the poppy, Cheap trick-ish "Lookout" and the relentless "Motor City Rock'n'Roll".

For their set with Art, they pulled out a couple of the first songs they wrote, the MC5-inspired "Freak Out Man" and the DMZ-rip, "None of Your Business", reminding us that although they looked pretty "grunge" back then, they were still a wild r'n'r combo. More covers, including a ferocious and well done "Black to Comm" (not that easy to pull off, for what is basically a one chord song - which, actually, is why it can be difficult) and their obligatory nod to the Stooges, an wild take on "Funhouse".

It's always great to see old friends like this, but even if you never met any of them before, you would certainly be floored by this tight, high-energy, punk'n'roll combo, with their super-solid rhythm section of Dino'n'Mike and the twin guitar attack, whether it's the dual leads of Frank'n'Bruce or the more traditional rhythm'n'lead of Art'n'Frank - it's all  super powerful and a crazed experience.

Once again, thanks to Red Dwarf for hosting a happenin' night of punk'n'roll.

Oh, Mary! (play) at the Smith Center, Sunday 10-11-26

 

My lovely wife heard good things about this play and we enjoy trying out different experiences so we took a chance and headed out on a Sunday night.

This comedy is a very-fictionalized story of Mary Lincoln and her issues with her husband, Abe, as he dealt with the Civil Was and more. In this story, she had been a cabaret singer who was pulled into the spotlight by Abe, who is a gay man who needed a "beard" (so to speak). She longs to return to the spotlight and to placate her, Abe brings in an acting teacher by the name of John Wilkes Booth!

I don't want to give away too much of the story as there are many twists'n'turns and some truly unexpected moments before Mary's dream comes true for the finale.

The production is well done with especially good lighting effects highlighting a minimalist stage setting. There's a lot of slapstick and the acting is purposefully over the top for comedic effect, although for me personally, I think playing it straighter might have been even more effective, but that's just me.

Drag queen Alaska Thunderfuck plays Mary with a cast including Tony award winner J. Harrison Ghee as a pudgy version of the president and only 3 others to fill out the night. Silly fun, although not as hilarious as it is advertised - at least not for us.

recommended gigs

                   

Thursday 10-8-26 - Bear Supply at Jive Turkey

Saturday 10-10-26 - the Streetwalkin' Cheetahs with the Strains at Red Dwarf

Saturday 10-10-26 - Wasted Youth, Shakewells, Soldiers of Destruction at Backstage Bar and Billiards

Saturday 10-10-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 10-11-26 - Thee Swank Bastards at Red Dwarf's Sunday Brunch along with a soft debut of the Shark Bites

Monday 10-12-26 - Thee Swank Bastards at the Golden Tiki

Friday 10-16-26 - Shanda and the Howlers, Frankie Lee and the Infernos and the Surfers of Mercy at the Sand Dollar

Friday 10-16-26 - the Minges, VaVoom and Washed at the Double Down

Saturday 10-17-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 10-19-26 - Thee Swank Bastards at the Golden Tiki

Friday 10-23-26 - Bomboras, Deadbolt, Shakewells and Lost Cat at the Dive Bar

Saturday 10-24-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 10-25-26 - Thee Swank Bastards at Red Dwarf's Sunday Brunch with special guests the Shark Bites

Monday 10-26-26 - Thee Swank Bastards at the Golden Tiki

Tuesday 10-27-26 - Kepi Ghoulie with the Bloodtypes, Jerk! and Femaliens at Grey Witch

Friday 10-30-26 - Thee Swank Bastards at Tiki di Amore

Friday 10-30-26 - Dog Party, Cherry and the Sours, Va Voom at Red Dwarf

Saturday 10-31-26 - Special Halloween Treat at the Double Down with The Evil Ones - a tribute to Roky Erickson with Kevin Wilcox, Ron Hudy, and Melanie and Rich Coffee - along with Thee Implosions and Rhythm Ace and the Nu-Tones! Costume Contest! Prizes! Fun!

Saturday - 10-31-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 11-2-26 - Thee Swank Bastards at the Golden Tiki

Thursday 11-5-26 - Suburban Resistance, Hour 13, 3 Rounds at Red Dwarf

Friday 11-6-26 - the Merry Widows, the Shakewells, the Henchmen, the Limit Club, Vesper Rose and Cherry and the Sours at Grey Witch

Saturday 11-7-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 11-8-26 - the Hideaway, Three Bad Janets, Get In Loser, VaVaoom at Red Dwarf's Sunday Brunch

Monday 11-9-26 - Thee Swank Bastards at the Golden Tiki

Friday 11-13-26 - Plague Vendor at the Usual Place 

Saturday 11-14-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 11-15-26 - the Buzzcocks and Modern English at Brooklyn Bowl

Monday 11-16-26 - Thee Swank Bastards at the Golden Tiki

Friday 11-20-26 - the Goddamn Gallows, King Sickabilly and the Riflemen at the Usual Place

Saturday 11-21-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 11-23-26 - Thee Swank Bastards at the Golden Tiki

Wednesday 11-25-26 - Thee Swank Bastards hosts Basstravaganza at the Double Down

Saturday 11-28-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 11-29-26 - Bear Supply at Red Dwarf's Sunday Brunch

Monday 11-30-26 - Thee Swank Bastards at the Golden Tiki

Friday 12-18-26 - Thee Implosions at the Punk Rock Museum

Bad Motivator, Psychosonic, Cherry and the Sours at Red Dwarf, Friday October 2, 2026

 Long Beach's Bad Motivator rocked Red Dwarf last year about this time, playing with our friends the Implosions and impressed us enough for us to come out again for tonight's gig. King Flamingo, a hip, minimalistic act who had played with BM last time, was supposed to be on the bill, as well, but could not make it and so locals Cherry and the Sours sat in as the opening act.

C&TS are a self-described rockabilly trio (modern-day, with some garage/punk influences) with Cherry on stand up bass and vocals, along with reverbed/slap-back-laden guitar and a stand-up drummer playing simply snare and a single cymbal. They were thrown on the gig at the last minute and were a little...loose, let's say, but had enough style'n'energy to get the early crowd (and it was a good crowd right from the start) rockin' with them. A kinda rockabilly-ish version of "Cherry Bomb" and a wacky finale where Cherry lies on the floor straddled by her bass finished out the set to a great response.

Bad Motivator is a 5 piece garage/punk'n'roll outfit with (to me, anyway) nods to bands like the Hives and the Damned that incorporates keys and a charismatic/dynamic lead singer that never sits still. A super tight combo, everyone plays just what the song needs - no more or less - and gives a cool, full sound. That combined with a hip fashion style, definitely makes them stand out from a lot of the other combos playing around these days. A fine, high-energy rock'n'roll band - always a good time!

Closing the night was Psychosonic, a band we knew nothing about, but that seems to straddle Long Beach, Ca. and Las Vegas. This evening they also shared Cherry and the Sours' guitarist - not sure if that's permanent or not - along with a strong drummer and a stoic, Carol Kaye-styled, long-legged bassist. The star of the show, though is their Lux Interior-influenced (although with a porn mustache) lead singer - stylistically and performance-wise taking his cues from the Cramps' Garbage Man. Their sounds was a bit hard to describe with a touch of rockabilly, some garage (even a ramshackle finale of "Wild Thing") and plenty of punk but it all works as a wildly wacky show. Definitely a band to look out for as they seem to play Vegas fairly regularly.

Once again, a fun night out at Red Dwarf! They are definitely doing their best to host some of the coolest local and touring bands!

recommended gigs

                  

Thursday 10-1-26 - Big Sandy and His Fly Rite Boys at the Golden Tiki

Friday 10-2-26 - Bad Motivator, King Flamingo, Psychosonic at Red Dwarf

Saturday 10-3-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 10-5-26 - Thee Swank Bastards at the Golden Tiki

Thursday 10-8-26 - Bear Supply at Jive Turkey

Saturday 10-10-26 - the Streetwalkin' Cheetahs with the Strains at Red Dwarf

Saturday 10-10-26 - Wasted Youth, Shakewells, Soldiers of Destruction at Backstage Bar and Billiards

Saturday 10-10-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 10-11-26 - Thee Swank Bastards at Red Dwarf's Sunday Brunch along with a soft debut of the Shark Bites

Monday 10-12-26 - Thee Swank Bastards at the Golden Tiki

Friday 10-16-26 - Shanda and the Howlers, Frankie Lee and the Infernos and the Surfers of Mercy at the Sand Dollar

Friday 10-16-26 - the Minges, VaVoom and Washed at the Double Down

Saturday 10-17-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 10-19-26 - Thee Swank Bastards at the Golden Tiki

Friday 10-23-26 - Bomboras, Deadbolt, Shakewells and Lost Cat at the Dive Bar

Saturday 10-24-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 10-25-26 - Thee Swank Bastards at Red Dwarf's Sunday Brunch with special guests the Shark Bites

Monday 10-26-26 - Thee Swank Bastards at the Golden Tiki

Tuesday 10-27-26 - Kepi Ghoulie with the Bloodtypes, Jerk! and Femaliens at Grey Witch

Friday 10-30-26 - Thee Swank Bastards at Tiki di Amore

Saturday 10-31-26 - Special Halloween Treat at the Double Down with The Evil Ones - a tribute to Roky Erickson with Kevin Wilcox, Ron Hudy, and Melanie and Rich Coffee - along with Thee Implosions and Rhythm Ace and the Nu-Tones! Costume Contest! Prizes! Fun!

Saturday - 10-31-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 11-2-26 - Thee Swank Bastards at the Golden Tiki

Thursday 11-5-26 - Suburban Resistance, Hour 13, 3 Rounds at Red Dwarf

Friday 11-6-26 - the Merry Widows, the Shakewells, the Henchmen, the Limit Club, Vesper Rose and Cherry and the Sours at Grey Witch

Saturday 11-7-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 11-8-26 - the Hideaway, Three Bad Janets, Get In Loser, VaVaoom at Red Dwarf's Sunday Brunch

Monday 11-9-26 - Thee Swank Bastards at the Golden Tiki

Friday 11-13-26 - Plague Vendor at the Usual Place 

Saturday 11-14-26 - Thee Swank Bastards late night at the Golden Tiki

Sunday 11-15-26 - the Buzzcocks and Modern English at Brooklyn Bowl

Monday 11-16-26 - Thee Swank Bastards at the Golden Tiki

Friday 11-20-26 - the Goddamn Gallows, King Sickabilly and the Riflemen at the Usual Place

Saturday 11-21-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 11-23-26 - Thee Swank Bastards at the Golden Tiki

Wednesday 11-25-26 - Thee Swank Bastards hosts Basstravaganza at the Double Down

Saturday 11-28-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 11-30-26 - Thee Swank Bastards at the Golden Tiki

Friday 12-18-26 - Thee Implosions at the Punk Rock Museum

Lou Reed, John Cale, Nico live at La Bataclan, Paris, Jan 29, 1972

 

This album documents a shows that I knew nothing about until I read Do What You Fear Most, Richie Unterberger's extensive review of the VU, and when I found it easily available, I grabbed it.

This mini-VU reunion was an acoustic show featuring Lou on guitar'n'vocals (of course), Cale on acoustic piano, viola and 12 string guitar as well as vocals, and Nico on harmonium and vocals. They run through some classic VU numbers along with some then-new solo material and Cale performs a tune or two that, as far as I know, has never been released in any other form.

The sound is quite good, but, at least on my stereo, the mix is a little awkward with Cale's piano and viola drowning out Lou's guitar, although it seems to balance out as the show progresses. They open with "I'm Waiting For My Man" with Cale on piano and Lou ad-libbing/forgetting some lyrics and that moves into the more recent "Berlin" that works well with simply piano'n'vocals - Lou calls it his Barbara Streisand number. "The Black Angel's Death Song" features Cale's viola, although he is not playing anything like the recorded version which makes it almost sound like a completely different song, especially as his lines don't necessarily go with the vocal melody - not that this is necessarily a bad thing! 

Back to a then-new song of Lou's, "Wild Child", with Cale adding some nice lines on his 12-string, and back to the viola for the ubiquitous "Heroin" that also has some lyric changes. Cale is front'n'center for his terrific "Ghost Story" from Vintage Violence. His "The Biggest, Loudest, Hairiest Group of All" is the one that, as far as I know, has never been recorded anywhere else and is an unusual (for him) folky, sing'n'clap-along, fairly goofy number - certainly the odd song out of this collection! I'm also not familiar with his "Empty Bottles", but that is a little more Cale-like, albeit also in a folky manner.

I know that for some people Nico is, at best, an acquired taste, but I have always dug her solemnly sonorous, Medievally melodic, droney material. Her spot starts out with, appropriately enough, "Femme Fatale" before moving into several of her own numbers with her voice - to me she sounds very good here although she complains that cigarettes are doing her vocals in - backed by harmonium and Cale's viola for "No One is There", "Frozen Warnings" and "Janitor of Lunacy" before they finish their set with "I'll Be Your Mirror". For an encore they create a folk version of "All Tomorrow's Parties", which has always been low even for Nico and it does seem to be a slight bit of a struggle here, but it is still pretty fab.

For bonus tracks there are a couple of snippets from a rehearsal of "Pale Blue Eyes" and "Candy Says" but  both are just Lou showing the others how the songs go and nothing is complete - mildly interesting, but nothing earth shattering.

The accompanying booklet contains a number of fine photos from the event along with some poetic prose by Nina Antonia.

A nice package overall and any VU fan would certainly want to own this memorial of a one time event.

Mr Dark's Pandemonium at the Double Down Saloon, Friday Sept 18, 2026

Not sure what I can say about a project that I am involved in, but when has that ever stopped me? We went on vacation pretty much right after this show, so I am just getting to this now.

For those who are not in the know, the Pandemonium is a multi-layer spectacle, with burlesque, freaks, tap-dancing (this time out), dominatrix, and more along with Mr. Dark's musical backing. The band includes keys, horns, backing singers, violin and the usual guitar/bass/drums and concentrates on unusual tunes of madness'n'mayhem. Tom Waits is a major touchstone, along with a number of other - to me, anyway - obscure combos from past decades, although there are a couple of more familiar numbers tucked in there just to keep everyone intrigued.

Hard to put into words and I didn't get nearly enough photos so come back to the Double Down on Friday November 20th for the next episode in this unwinding tale and see for yourselves!
 

recommended gigs

                 

Friday 9-18-26 - Evelyn's Casket, Life Rips, Damned by Night, Crimson Riot at Red Dwarf

Saturday 9-19-26 - VaVoom, Biff, Open Fist Trivial Menace at the Double Down

Saturday 9-19-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 9-21-26 - Thee Swank Bastards l at the Golden Tiki

Thursday 9-24-26 - Shanda and the Howlers, the Starlite Wranglers, Screamin' Rebel Angels, Cherry and the Sours at the Swan Dive

Thursday 9-24-26 - Cromm Fallon and the P200, Superhiro, Honeychain and the Noidz at the Griffin

Saturday 9-26-26 - Life is Shit6 Festival at the Dive Bar with tons of great bands!

Saturday 9-26-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 9-28-26 - Thee Swank Bastards at the Golden Tiki

Thursday 10-1-26 - Big Sandy and His Fly Rite Boys at the Golden Tiki

Friday 10-2-26 - Bad Motivator, King Flamingo, Psychosonic at Red Dwarf

Saturday 10-3-26 - Thee Swank Bastards late night at the Golden Tiki

Monday 10-5-26 - Thee Swank Bastards at the Golden Tiki

Saturday 10-10-26 - the Streetwalkin' Cheetahs with the Strains at Red Dwarf

Saturday 10-10-26 - Wasted Youth, Shakewells, Soldiers of Destruction at Backstage Bar and Billiards

Friday 10-16-26 - Shanda and the Howlers, Frankie Lee and the Infernos and the Surfers of Mercy at the Sand Dollar

Friday 10-23-26 - Bomboras, Deadbolt, Shakewells and Lost Cat at the Dive Bar

Tuesday 10-27-26 - Kepi Ghoulie with the Bloodtypes, Jerk! and Femaliens at Grey Witch

Saturday 10-31-26 - Special Halloween Treat at the Double Down with The Evil Ones - a tribute to Roky Erickson with Kevin Wilcox, Ron Hudy, and Melanie and Rich Coffee - along with Thee Implosions and Rhythm Ace and the Nu-Tones! Costume Contest! Prizes! Fun!

Thursday 11-5-26 - Suburban Resistance, Hour 13, 3 Rounds at Red Dwarf

Friday 11-6-26 - the Merry Widows, the Shakewells, the Henchmen, the Limit Club, Vesper Rose and Cherry and the Sours at Grey Witch

Sunday 11-8-26 - the Hideaway, Three Bad Janets, Get In Loser, VaVaoom at Red Dwarf's Sunday Brunch

Friday 11-13-26 - Plague Vendor at the Usual Place 

Sunday 11-15-26 - the Buzzcocks and Modern English at Brooklyn Bowl

Friday 11-20-26 - the Goddamn Gallows, King Sickabilly and the Riflemen at the Usual Place

Friday 12-18-26 - Thee Implosions at the Punk Rock Museum

RIP Peter Max

The psychedelic pop artist Peter Max has died at 88, his son says

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Like any good hippy, I was (as was most of our family) a big fan of Peter Max in the 60's and 70's. Frankly, I didn't know that he was still alive as I don't believe that he has been active but it is sad to hear of his passing.

Do What You Fear Most - The History of the Velvet Underground - Richie Unterberger

 

I had been seeing rave reviews of this recent tome on the VU so, of course, when I found it at my local library, I grabbed it!

I've been a huge fan of the Underground since the mid-70's when Kenne Highland told me that I played guitar like Lou Reed in the Velvets! (Unfortunately, I have no idea how to replicate that sound any longer - it was simply due to my inexperience combined with crap equipment!) I soon devoured everything that I could find by them - the first two LPs are still my faves by far, although the rest of their output is fab - along with Lou's solo work. Of course, I have covered this material in bands since it was first released and have always been fascinated by the group, the fact that they were able to put out such wild music, and the raw talent that burst out of this combo. I love Nico and Cale's solo work as much as Lou's - so, yeah, I'm a fan.

Naturally, I have read various books on the subject, as well, but with the promising reviews, and the fact that I don't mind revisiting info, I delved into this one. While the basic story is one that most of us already know - from Lou's songwriting gig that turned into the Primitives that melded into the VU through to the band's dissolution - Unterberger adds much more detail than anyone before him, with as much accuracy as is possible this many years after the facts. Show dates, sometimes set lists, reviews of bootleg tapes and, of course, overviews of the official releases are all given plenty of space.

It is impressive the amount of space given to the shows that they performed - I can't even imagine the work that went into trying to collaborate and compile as much as he has - with audience recollections, critical reviews and often bootleg tapes giving insights to their sounds as they evolved. Of course, Richie also reviews the official recordings, but discussed demos, lost tapes and more - again often through first person recollections, whether by the band, the studio personnel, friends or whomever. 

Unlike some critics, Richie is quite complimentary of Doug Yule's contributions and the amount of time that he spent in the band with Lou, along with his time fronting the group (which really wasn't the VU any longer, but these things still happen). But Doug truly was a fine musician (bassist, particularly) and a singer that sounded much like Lou - I didn't even realize that some of the studio recordings were Doug and not Lou. 

Richie does cover the solo efforts of Nico and Cale, as well, along with their shows (or lack thereof) and the one-off "mini-reunion" of Reed, Cale and Nico in 1972 (of which there is a CD, which I knew nothing about, so I have that on the way) along with the 90's union of the original four.

Painstakingly thorough but the story is compelling throughout. Pretty much a must for any fan.

RIP Cheetah Chrome

 

Man, that first Dead Boys album blew me away with their brand of punk rock'n'roll mixed with garage rock'n'roll. When I finally heard Rocket From the Tombs I was knocked out as well. Certainly not the most technically brilliant player but beyond influential. Sad to hear.

The Velvet Underground (third album)

 

As I'm revisiting my VU recordings while I'm reading an extensive book on the band, it looks like I never talked about this one, oddly enough - unless the search function just isn't working! My faves are the brutal blasts on the first two albums (which showed their softer sides, as well, particularly the debut) but this album, while is certainly their quietest, also has some of their most enduring songs. 

Of course, there are a couple of different theories as to why they changed their sound (even within band members) but I think (just based on being a musician) that Lou simply was writing more quiet songs that he liked - not like he hadn't written similar numbers before!

This opens with an ode to Warhol Superstar Candy Darling, simply titled "Candy Says", sung by newcomer Doug Yule - supposedly Lou's voice was tired from touring. This slight ballad is pretty melodically, but not something that really grabs your attention immediately - at least not for me. On the other hand, "What Goes On" is truly one of their best, an insistently chuggin' rocker with a great, melodic, multi-tracked guitar solo, catchy melody and existential lyrics. Another fave is "Some Kinda Love", driven by Maureen's bass drum'n'cowbell, it dictates a conversation where the two may disagree but basically agree that "no kinds of love are better than others". A simple progression - as Lou is wont to do - but incredibly memorable with terrific lyrics that are immensely quotable. The lovely ballad - as close to a true love song as Lou probably ever did, written for a former girlfriend who had since married, although they had a fling - "Pale Blue Eyes" is another, oft-covered classic. Probably the quietest of the quiet numbers, "Jesus" is an unusual subject for Jewish Lou but is apparently just referring to another type of love and is another lovely melody.

I think it might be a stretch to say that "Beginning to See the Light" is also about religion, but it is another good, mid-tempo rocker with sing-along refrains. "I'm Set Free" is kind of a Phil Spector-ish bit of pop, although not one of the best of the bunch here, nor is "That's the Story of my Life" - again not as memorable as some of the others. The true oddity of the bunch is "The Murder Mystery", with its kinda spooky backing and two (at least) simultaneous narratives going on, in different speeds, with melodic interjections from Maureen and Yule - kind of another experiment like "The Gift", but more jumbled and much less coherent, making it a difficult listen - I think it would actually be quite listenable without the vocals! Then the finale is one of the goofiest numbers they ever recorded, the vaudevillian "After Hours" with Maureen singing - I know this has become a fave with some people, but I always considered it a throwaway.

So, some of their most memorable and most forgettable tunes together in one LP. Flawed, for sure, but obviously worth owning!

Tom Verlaine - Dreamtime

 

As I've mentioned elsewhere, I've been reading and listening to a lot of Velvet Underground lately and when I was peering through our vinyl collection to see which VU LP's I still owned, this Verlaine solo album came along for the ride so I thought I'd give it a listen, since I can't remember the last time I heard it.

But before I even dropped the needle down I noticed the line notes with mentioned that the musicians on the record included drummer Ritchie Teeter (known for his work in the Dictators, of course), Fred Smith from Tom's band Television and Jay Dee Daugherty (Patti Smith Group, obviously). Impressive company to keep!

And while none of Tom's solo work has equaled his time in Television (in my personal opinion), this record is certainly one of the better releases of his that I have heard. Marque Moon is among my favorite albums ever and it would be difficult, if not impossible, to match the intensity of the performances or the songwriting, but this collection stands up on its own merits. Nothing as immediately memorable in either the songs or the playing, there are still catchy, patently Tom riffs and tunes that are quite enjoyable and impressive in their own right.

While nothing stands out quite to the extent that some of the best TV tracks do, this is still a fine album and worth giving a listen - I will definitely be pulling it out more and giving it more chances.